Madisenxoxo has retained that initial vulnerability when it comes to song-writing, but the latter
boast much denser and ornately textured soundscapes. Professionally trained in the Jazz genre,
and debuting with a contemporary sound of bedroom pop in the frenetically innovative vein of
beabadoobee, Clairo and Billie Eilish’s debut studio-release, Don’t Smile at Me, Madisenxoxo
has a cosmos of aural possibilities at her fingertips.
While collapsing an artist with two decades’ worth of music, eight diegetically-unique albums and such a number of production-phases that bringing up how many times the band has broken up and gotten back together is one of the Emo scene’s most cited in-jokes, is arguably an indiscriminate judgement call, I would describe “Hold Me Like a Grudge” as quintessentially Fall Out Boy.
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Despite their differences, both “The Summoning” and “Chokehold” share a common thread of emotional intensity and musical innovation. The soaring vocals and dynamic instrumentation of “The Summoning” complement the haunting atmosphere and introspective lyrics of “Chokehold,” creating a cohesive musical experience that is greater than the sum of its parts.
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Brooklane has that pop-punk sound I feel a sense of nostalgia with and Jessie comes in with a melodic voice that ties this anti-love song together.
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This fiery and experimental song is just yet another taste of what we can expect to experience with Waterparks’ impending fifth studio album Intellectual Property.
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