On an unprecedentedly warm October night, the streets of Philadelphia bustled outside the restaurant and music venue, Milk Boy. With tour spanning many states in only a few consecutive days, Greet Death and Low Animal were set to put on a performance in the busy city. Fans crowded together tentatively waiting in the corridor-like room […]
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racks flowed seamlessly in a heart-pounding rhythm as the entire crowd flowed in movement, to a beat so flawless it could make a grown man cry, Trixie Mattel surpassed all expectations of beauty and camp realness. She carried herself with such an air of confidence and the smile she flashed the crowd was so infectious that it was worn all around the room. It was the most perfect atmosphere of fluorescent love and a celebration of gay culture all within a show.
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With a lineup of over twenty bands from all over the region, Dilly Dally Fest was stacked with unbelievable musical talent. Each set hit harder than the one before in a room full of fans who truly were there for the enjoyment of the music and the connectedness that follows with collective artistry.
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Letting each song flow effortlessly into a euphoric jam session, the performance became a whirlwind of instrumental prowess.
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While each song is uniquely incredible and it’s hard to grasp how these songs were discarded for nearly a decade, there is a clear hierarchy within the tracks. It is my honor to rank each of these tracks for your reading pleasure with the clear intention of entertainment. By no means is this list intended to tear down anyone’s favorite songs or personal preferences, it is simply an ordered list of how I experienced and digested each track to place them in a clear rank over time.
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