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Hell Finds You Everywhere: A Conversation With James Deberg of Thousand Below

The main difference between this record and the others is that we produced most of it. About two thirds of the record, we produced ourselves, like in our rooms. We’re all like self sufficient producers at home. We were able to just like, spend a lot of time just trying new things and you know, just like getting weird in the studio. When you’re not on someone else’s time, not paying a producer hourly or daily, when you’re not in that mode, you have a lot of time to just try weird things in your room and just be like, “oh, what if I did this? What if I did that?” You know, text the guys and be like, “how crazy would this be?” You’re not wasting anyone’s time, so it’s really nice.

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Posted On : Published By : Caitlyn McGonigal
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The Tulsa Scene: Goodridge

It started out as just an exercise frank had made up and when he played it with the band we ended up writing out most of the song the day of. We really wanted to get “Caved” specifically released as we had sat on the song at that point for about a year, whereas “Shifting Boulders” gave a little more insight towards the sound from our new material so having both together let us show both of those sides.

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Posted On : Published By : Caitlyn McGonigal