The moon hung high as Halloween Weekend was coming to a close on October 29th. A line of fans dressed in costumes wrapped around the block of 11th Street, the block where Webster Hall resides, all clamoring impatiently as they waited to enter the venue to see a woman who has been bringing the Dominican Republic to the forefront of the Latin music scene, Tokischa.
Tokischa, who began her musical career in 2018, has made waves throughout the Latin music scene for her vulgar and provocative looks and lyricism. Her lyrics vocalize themes of pleasure and passion, boldly challenging the conservative norms in the Caribbean and Latin America. Her controversial takes, however, are what makes Tokischa loved among millions of fans. There is a freedom and connection between the listeners and her songs, as fans can connect with all parts Tokischa has accepted herself; as previously admitted, she is “erotic, sexual, and noble all at the same time.”
The show began promptly at 7pm with local DJ, Playthemusic, taking the stage. The lights around the venue reflected off the disco ball as fans danced around for an hour to some of the most popular tracks in Latin music. Some of the most popular tracks were played, like Bad Bunny’s newest track, “Where She Goes.” He also didn’t forget to play hits that pivoted Reggaeton and Latin music to its peak, like Gasolina and Rakata to name a couple; if you know, you know.
The crowd was buzzing, both figuratively and literally, as the set came to an end and lights dimmed, signaling the start of the main event. One by one the dancers walked on with Tokischa following soon after. As the pulsating beats of “Sistema De Patio” enveloped the venue, Tokischa, draped in an oversized khaki blazer with white lingerie peeking out from underneath, took center stage, commanding the attention of each audience member in the venue.
Tokischa commanded the stage with her dancers at her side, immersing the audience in a setlist that showcased the essence of her artistry. From the steamy allure of “Linda” to the rhythmic beats of “Singamo,” the personal favorite “Estilazo,” and the powerful message in “Somos Iguales,” each track unfolded like a chapter in a musical story.
As the night wrapped up, Tokischa engaged in chats with the crowd, sharing laughs and words before closing out with “Tukuntazo.”
The lineup wasn’t just a playlist; it was a statement. Tokischa’s refusal to conform and her push for women’s liberation echoed in each track, driving home the importance of women owning their sexuality, expressing themselves freely, and shrugging off societal norms. While the songs might seem like easy dance tunes on the surface, there’s more to them. Tokischa’s lyrics carry a subtle depth, a reminder that there is more beneath the beats. In the realm of Latin music, she stands as a symbol, encouraging Latina women to embrace who they are and own their sexuality, no apologies.
